Hey folks! After a several month layoff due to server, hosting, WordPress, and time (time, Time, TIME!!) issues, we are back here at TNYDP with a new look and plenty of new and historical interviews with your favorite jazz players, writers, and other notables.
Today, a great recent interview with the legendary Eddie Gomez, courtesy of AllAboutJazz. Over the course of two phone talks with Robin Arends, Gomez discusses jazz in the fifties and sixties, pollution, overcrowding, Eddie’s collaboration with Bill Evans and his rich career afterwards. From the interview:
AAJ: Jazz is more institutionalized now compared to when you started?
EG: The music evolved and developed that way. You can also say that of classical music. In the 14th, 15th century it was very specialized music and it was not available for the average people. For the average person there was folk music. It took a time before it was not only available for the privileged people. You can say the same about jazz, in a shorter timescale. By now there are more people who listen to jazz music like it is classical music, but the experience is so different. The world now is not in for steady bands. It is hard to sell records. There are many good bands, but there is not enough work, there is not enough touring. In my time there were many bands: Art Blakey, Bill Evans, Miles Davis, Sonny Rollins, there were lots of good bands and they stayed together. This is a treasure for the music, for the art form. They recorded three, four albums.