Pianist, composer, publisher, educator, and author Hal Galper has somewhere around 100 recordings to his credit, many as a leader. Best known for his work with Chet Baker, Cannonball Adderley, John Scofield and the Phil Woods Quintet, his recordings as a leader with Mike and Randy Brecker are considered among his best.
In continuing with a concentration on Bill Evans, here is an interview by Jan Stevens posted on the BillEvansWebpages which was conducted over a period of several weeks in April 2002 mostly in email, and after several phone conversations. In it, Galper shares his vast knowledge of and his love for the music of Bill Evans. From the interview:
What do you feel was Bill’s influence on your own playing personally, and how did that come about? And how did it change the way you approached voicings or perhaps rhythmic displacement ?
I was attracted to his harmonic conception but not his lines. I tried a few of his voicings but a truth I learned when I was copying Red Garland raised it’s ugly head again: what you play on any instrument will be dictated by the sound you get on it, i.e., one’s touch. When I played Red’s or Bill’s voicings, I had to either add or subtract notes to make them sound good with my hands.
Click here to read The Hal Galper Interview 2002