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Posts in category Hancock, Herbie

Herbie Hancock 1968 interview from CBC’s Hot Air archive

Jan30
2013
Leave a Comment Written by Peter Blasevick

All this week I’m posting legacy interviews from CBC-Radio Canada.  The Bob Smith Hot Air archive is a treasure trove of approximately 50 interviews Smith recorded with some of the greatest stars of the day, from the world of jazz and beyond. Captured between 1950 and 1982, these interviews include conversations with Louis Armstrong, Ella Fitzgerald, Duke Ellington, Billy Strayhorn, Harry James, Oscar Peterson and Lena Horne, as well as Sammy Davis Jr., Bill Cosby, Harry Belafonte, Liza Minnelli and many others.

This interview with the great Herbie Hancock, recorded in 1968, finds the pianist, composer and multi-Grammy winner at a point in his career between his stint as pianist with the second great quintet of Miles Davis and his own period of searching for new sounds. It was that quest, using synthesizers and electronic keyboards, that led to the creation of his celebrated fusion band, the Headhunters, in the early 1970s. A then 28-year-old Hancock tells Hot Air interviewer Bob Smith about his approach to improvisation, his experience with raucous audiences at Harlem’s Apollo Theater and the musical insights he gleaned working with the legendary Miles Davis.

Click here to listen to Herbie Hancock 1968 interview from CBC’s Hot Air archive

Tagged 1968, audio interviews, fusion, piano

Herbie Hancock on Tavis Smiley 2011

Nov14
2012
Leave a Comment Written by Peter Blasevick

More interviews from talk show host Tavis Smiley’s archive today. Here is a a cool 2011 talk with the legendary pianist and composer Herbie Hancock. From the interview, Herbie talks about failing when taking chances on the bandstand and relates a great story from his days with Miles:

“You have to get up. (Laughter) You have to get up and try it again. You can’t let that throw you. Years ago, if I fell on my face somehow in the middle of a show or something, it just didn’t work – and actually, I can give you an example. I was playing with Miles one time, the great Miles Davis, during the ’60s, and we were performing in Europe.

We were on this tour. This particular night was the peak of the tour. It was the night, you know, when it’s all happening? Every song was building and building and building. We had the audience grasped like this. It was all like one. So Miles played the tune “So What,” and Wayne Shorter plays his incredible, fiery saxophone solo, Tony Williams is burning up on the drums, Ron Carter on the bass is amazing, and then Miles comes to his solo, right?

At the peak of Miles’s solo I play a chord that was so wrong (laughter), I thought I had lit a match to the whole thing and just burned it to the ground. I didn’t know what to do. Miles took a breath and then played some notes that made my chord right. (Laughter)

I couldn’t believe what I heard. He made it fit somehow. What is he, some kind of alchemist or something? Merlin the magician? It took me years to figure out actually what happened. What happened was Miles didn’t judge what I had played. He just heard it as an event that happened and went, “Hm, that’s interesting,” and then found some notes to make it work right. (Laughter)” 

— Peter Blasevick

Tagged 2011, live performance, Miles Davis, piano, touring, video interviews

A Fireside Chat With Herbie Hancock

Aug28
2012
Leave a Comment Written by Peter Blasevick

Pianist and living legend Herbie Hancock talks about  his origins as a player, his love of technology, and more in this 2003 interview with AllAboutJazz.com. From the interview:

“My best friend had a piano when I was about six years old. He was actually several months older than me. He had already turned seven. I would go to his house and ask if I could play his piano. Of course, I couldn’t play it. I would just bang on it, but my mother noticed that I was interested in the piano and on my seventh birthday, they bought me a piano. So my older brother, my younger sister and I started taking lessons soon after that. After about three years, my brother and sister stopped their lessons and I continued on. For some reason, my interest never waned. It continued to progress and what really did it was when I was about twelve or thirteen years old, when I first started to pay attention to jazz and get involved with that. That really pulled me in like a magnet.”

Click here to read A Fireside Chat With Herbie Hancock 

Tagged 2003, business, piano, technology, text interviews

Q & A: Herbie Hancock

Apr26
2012
Leave a Comment Written by Peter Blasevick

A global collaboration among the United Nations Educational, Scientific and Cultural Organization (UNESCO), Herbie Hancock and the Thelonious Monk Institute, the first International Jazz Day is scheduled for Monday. Check out this L.A. Times interview with Hancock to find out about it.

Click here to read Q & A: Herbie Hancock

 

Tagged 2012, Chris Barton, piano, text interviews

Herbie Hancock on Piano Jazz

Apr11
2012
Leave a Comment Written by Peter Blasevick

Composer and keyboardist Herbie Hancock stars on this episode of the long running NPR radio show Piano Jazz originally recorded Jan. 3, 1987 and originally broadcast April 2, 1987. The ever-inventive Hancock sticks with the acoustic piano for this set of solos and duets with host Marian McPartland. Hancock performs a mix of his originals — “Dolphin Dance” and “Still Time” — and standards including “Limehouse Blues,” “It Never Entered My Mind” and “That Old Black Magic.”

Click here to listen to Herbie Hancock on Piano Jazz.

Tagged 1987, audio interviews, Dolphin Dance, duet, It Never Entered My Mind, Limehouse Blues, Marian McPartland, piano, solo piano, Still Time, That Old Black Magic

About TNYDP

The mission of The Notes You Don't Play is to be the Web's first comprehensive library of jazz interviews. Click on an artist below to go to their collection, visit our about page for more information, or contact us to suggest interviews to include in the library. Read more...

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