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Posts tagged 1979

Chet Baker with Les Tomkins in 1979

Jan23
2013
Leave a Comment Written by Peter Blasevick

Here is a great 1979 interview with Chet Baker from Les Tomkins and the JazzProfessional website. Chet talks about his reunion with Gerry Mulligan, his ear;ly years, and “Cool Jazz”. From the interview:

What originally caused you to take up the trumpet as your instrument?

My dad was a musician—he played guitar—and when I reached thirteen, his favourite musician was Jack Teagarden. So he brought home a trombone, but I was rather small for my age; I couldn’t make the positions, and the mouthpiece seemed so big. I messed around with it for a couple of weeks; then he took it away, and brought home a trumpet.

That seemed to be much more comfortable; I could get a sound—the smaller mouthpiece seemed to fit a lot better. I went to a little instrument training class for a year, and I played in the school marching band and the dance band.

When I was sixteen, I went in the army; for a year I played in an army band in Berlin, Germany. After discharge, I studied music at junior college, but at the end of a year–and–a–half I failed that—and I still play by ear. Although I can read, I don’t know the chords. I just hear them, you know, but if you ask me what the name of it is, I wouldn’t be able to tell you.

Click here to read Chet Baker with Les Tomkins in 1979

Posted in Baker Chet - Tagged cool jazz, gerry mulligan, text interviews, trumpet

Dexter Gordon: 1976 & 1979

Oct11
2012
Leave a Comment Written by Peter Blasevick

This week I’ll be linking to a series of interviews from the Canadian Jazz Archive Online, a project of JAZZ FM.91, Canada’s premier jazz radio station.

Here are two 1970s talks with tenor great Dexter Gordon. In the first Gordon discusses playing with Fletcher Henderson, Los Angeles, and his history with addiction; in the second he covers his strength as a player, his fame in Japan, and musical integrity versus commercial success. From the first interview:

“I come from the Los Angeles, which is not too far from Texas, and so many of the Texas tenor players were my inspirations. And they traditionally have big, strong sounds … And I mean, for me, really if a tenor player doesn’t have a big sound, he’s lacking a little something. Of course, everybody can’t be Gene Ammons or somebody, you know, but still it should be of, you know, full tenor sound.”

Click here to listen to Dexter Gordon: 1976

Click here to listen to Dexter Gordon: 1979

— Peter Blasevick

Posted in Gordon, Dexter - Tagged 1976, audio interviews, Fletcher Henderson, Los Angeles, tenor saxophone, text interviews

Oscar Peterson in Conversation: Ruminations & Rebuttals, December 1979

Aug06
2012
Leave a Comment Written by Peter Blasevick

In this great December 1979 interview with Tom Wilmeth for JazzTimes, Oscar Peterson speaks before a performance with the Minnesota Orchestra. From the article:

“I spoke with the great jazz pianist Oscar Peterson on a winter afternoon in 1979 at his Minneapolis hotel. He was in town to perform his own extended composition with the Minnesota Orchestra called “The Canadiana Suite,” a work originally released by Verve in 1964 as a trio recording. I believe now that Peterson had revived and rearranged this for performance because of his renewed interest in long-form pieces for jazz. These orchestral compositions would culminate in his 1981 album The Royal Wedding Suite, a celebration of the union of Prince Charles and Lady Diana. Although each suite shows Peterson’s abilities as a composer and an arranger, both are now largely forgotten.

“In spite of his concert with an orchestra being only hours away, Mr. Peterson was happy to discuss his own solo and small group performances. However, he was also quick to draw parallels between jazz forms and classical music. As we began, I pointed out which of his albums I liked best and asked him to comment on some of his newer Pablo Records releases. He was happy to speak in specifics about albums from his entire career. As we neared the end of the brief amount of time his agent had set aside for me, I used one of my mainstay questions of that time, his interest in Duke Ellington. I asked this specifically because of the major orchestral jazz piece that he was about to perform, and I compared it with some of Ellington’s extended works. This discussion on the Duke led to some intense reaction, as did my later use of the names Art Tatum and Keith Jarrett in the same sentence…”

Click here to read Oscar Peterson in Conversation: Ruminations & Rebuttals, December 1979

Posted in Peterson, Oscar - Tagged piano, text interview

Breakfast with Bill Evans

Jul14
2012
Leave a Comment Written by Peter Blasevick

Originally published in The Aquarian Weekly, this 1979 interview with Bill Evans at AllAboutJazz covers  Evans’ thoughts about his work with Scott LaFaro and Paul Motian, how his playing has developed, and lots of his patented insight into the art of improvisation.

Click here to read Breakfast with Bill Evans

Posted in Evans, Bill - Tagged Bob Kenselaar, improvisation, piano, text interviews

Two Tal Farlow interviews

Jun07
2012
Leave a Comment Written by Peter Blasevick

For the legendary guitarist’s 91st birthday, here are two magazine interviews:

Click here to read Downbeat 02/79

Click here to read Guitar Magazine from 12/81 and 01/82 

Posted in Farlow, Tal - Tagged 1981, 1982, Burt Korall, guitar, text interviews

Ella Fitzgerald interview with Bobbie Wygant

Apr25
2012
Leave a Comment Written by Peter Blasevick

To celebrate the First Lady of Song on her 95th birthday, here is a TV interview from what my best guess is late 1979 or 1980 (the Iran hostage crisis is alluded to during the interview). The interview runs about 5 minutes and includes a few quick clips of Ella onstage singing pieces of tunes including “There Will Never Be Another You”.

 

Posted in Fitzgerald, Ella - Tagged 1980, Bobbie Wygant, singers, There Will Never Be Another You, video interviews

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