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Posts tagged 2007

Bill Frisell On Piano Jazz

Feb05
2013
Leave a Comment Written by Peter Blasevick

I’m posting five great NPR Piano Jazz interviews this week. Though Marian McPartland no longer actively hosts the show (which has been running since the late 1970s), it still airs weekly with encore performances and in an updated version hosted by Jon Weber.

Int today’s interview, guitarist and composer Bill Frisell brings his sparkling, atmospheric sound to this episode of Piano Jazz in a session that originally aired in October 2007.

At one point in the hour long show,  Frisell’s give his solo take on “My Man’s Gone Now,” from George Gershwin’s opera Porgy and Bess. Frisell picked up this tune when he first began studying jazz seriously by listening to Bill Evans and Miles Davis.

“It’s one of those tunes that stayed with me from the late ’60s when I first heard it, and I’ve been trying to play it all along,” Frisell says.

During the interview, Bill’s performances include:

  • “When You Wish Upon a Star” (Harline, Washington)
  • “My Man’s Gone Now” (Gershwin, Gershwin, Heyward)
  • “All the Things You Are” (Hammerstein, Kern)
  • “He’s the One” (McPartland)
  • “I’m So Lonesome I Could Cry” (Williams)
  • “Strange Meeting” (Frisell)
  • “Echoes of Yesterday” (McPartland)
  • “Blue Monk” (Monk)

Click here to listen to Bill Frisell On Piano Jazz

Posted in Frisell Bill - Tagged audio interviews, guitar, live performance

An Interview with Dave Brubeck, July 23, 2007

Dec11
2012
Leave a Comment Written by Peter Blasevick

A week of piano interviews at TNYDP, and we must post one with the legendary Dave Brubeck who passed away late last week. This 2007 interview with Ted Panken that Ethan Iverson tweeted out the day Brubeck died is as good a tribute as any. A bit from the interview:

You started to play for money when you were in your early teens, and I’d imagine then you started learning about being a bandleader—which is also part of music. Bending people to your will, as it were.

You see, when we left Concord, California, I was well, and were moving to this huge cattle ranch, 45,000 acres, owned by H.C. Howard who owned Seabiscuit. Of course, he owned other ranches, and Seabiscuit wasn’t on this ranch. But when I moved there, I would still be improvising after school and playing the piano. The guy that came to pick up our laundry at the ranch and take it to Lodi, where Mondavi started, about 18 miles away… He’d take the laundry, and he heard me playing, and he said, “I could use you in my band.” I was 14 then, and he hired me, and we played on the Mokelumne River, outdoor dance floor that was all warped from the rain, and electric lightbulbs hanging from wires with the decorations. His name was John Ostabah. From Ostabah, I went to another band in Ione, California, that played all the foothill dances. Believe me, that was an experience. Very few people have had the experiences I had when I was very young. Because the towns of Jackson and Sutter Creek were wide-open. That means everything in California that was against the law, was not against the law in those mining towns.

Click here to read An Interview with Dave Brubeck, July 23, 2007

Posted in Brubeck, Dave - Tagged piano, text interviews

Like Sonny: The Story of Sonny Rollins and John Coltrane

Dec07
2012
Leave a Comment Written by Peter Blasevick

The last day of JazzVideoGuy week here at TNYDP; thanx Bret for all you do for Jazz. Check out his channel on YouTube, there’s just a ton to watch.

And what week of interviews from JazzVideoGuy would be complete without one from his favorite subject, the incomparable Sonny Rollins? In this piece, Bret explores the unique relationship between John Coltrane and Sonny Rollins, two of the most important Jazz musicians in history.

— Peter Blasevick

Posted in Rollins, Sonny - Tagged John Coltrane, tenor saxophone

Joe Lovano Discusses Hank Jones

Dec06
2012
Leave a Comment Written by Peter Blasevick

This week I am posting video interviews from JazzVideoGuy himself, Bret Primack. Check out his channel on YouTube, there is so much to watch, you’ll look up and realize it’s two in the morning.

I’ve mentioned before I’m sure that I just love Hank Jones…any excuse to post about him is fine with me. Here is a nice long talk with tenor great Joe Lovano in which he discusses  working with the legendary pianist and goes into detail about their 2007 live duet album Kids.

— Peter Blasevick

Posted in Jones, Hank, Lovano, Joe - Tagged duets, live performance, piano, saxophone, video interviews

The Nimble, Young Hank Jones

Sep08
2012
Leave a Comment Written by Peter Blasevick

I admit I have a soft spot for Hank Jones. The whole thing: being part of an immortal family of musicians; his job for all those years as the CBS house piano player; playing piano on Marylin’s “Happy Birthday Mr. President”; the elder statesman thing later on in life…the whole story is great.

Here is a quote from this 2007 “All Things Considered” about his time at CBS:

“Sometimes you played accompaniment for singers. Sometimes you played for groups. Sometimes you played for operatic sequences that went down,” Jones explains. “Sometimes you played for elephant acts. Sometimes you played for dog acts. So you did a variety of things, all of which, when you added them up, it contributed to your repertoire.”

Click here to read and listen to The Nimble, Young Hank Jones

Posted in Jones, Hank - Tagged audio interviews, piano, text interviews, Tom Vitale

Four Orrin Keepnews Interviews

Sep02
2012
Leave a Comment Written by Peter Blasevick

From YouTube’s JazzVideoGuy Bret Primack, here are four chapters from the Concord Music Group video podcast series “Orrin Keepnews, Producer”.

Chapter 1: “Saint Monk” Pianist and composer Thelonious Monk was the patron saint of Riverside Records, the influential Jazz record label Orrin Keepnews co-founded in the early 50s. In the first installment of a twenty chapter video podcast series, Keepnews talks about meeting Monk, signing him, and producing his Riverside debut, “Thelonious Monk Plays Duke Ellington.”

“The Sound of Sonny” is featured in Episode 2 , where the great Jazz producer talks about meeting Sonny Rollins and producing his first Riverside recording, part of the Concord Music Group’s “Keepnews Collection,” which featured Roy Haynes, Sonny Clark and two bassists, Percy Heath and Paul Chambers.

The third chapter of the podcast series is “Mr. Pulled Together – Clark Terry,” the story of the great trumpeter’s Riverside session, “Serenade to a Bus Seat.”

Finally, Chapter 14 features the 1960 Riverside recording by Wes Montgomery, “The Incredible Jazz Guitar,” with Montgomery, Tommy Flanagan, Percy and Tootie Heath.

Check out these great videos!

Posted in Keepnews, Orrin - Tagged producer, video interviews

Phil Woods 2007

Sep01
2012
Leave a Comment Written by Peter Blasevick

In this quick backstage 2007 interview with WAER Music Director during the Jazz In The Square festival, Phil Woods discusses playing with big bands, his stints with Dizzy, Monk, Quincy Jones, and Benny Goodman, and his album The Great American Songbook II .

Posted in Woods, Phil - Tagged alto saxophone, bandleaders, video interviews

Kenny Werner On Piano Jazz

Jul25
2012
Leave a Comment Written by Peter Blasevick

NPR Piano Jazz week continues with this 2007 hour long interview with the always fascinating Kenny Werner. From NPR:

Pianist, composer and author Kenny Werner is known for his 1996 book Effortless Mastery: Liberating the Master Musician Within, which has become a university textbook for improvising musicians and other artists. His album of original compositions, No Beginning No End — a meditation on loss, death and renewal — was awarded a Guggenheim fellowship in 2010. On this episode of Piano Jazz, originally broadcast in 2007, Werner joins host Marian McPartland for a set of tunes by Duke Ellington, Bill Evans, Steve Swallow and more.

“I like Kenny’s touch. It’s very delicate,” McPartland says. “That first Steve Swallow tune, ‘Falling Grace,’ is so pretty, and nobody ever plays it much. I was glad to hear it. And playing ‘In a Sentimental Mood’ and ‘Waltz for Debbie’ together was a lot of fun. I thought those tunes came off quite well.”

The set list of songs played during the hour long show include Falling Grace, Peace, Very Early, In the Days of Our Love, In a Sentimental Mood, I Had a King, Free Piece, and Waltz for Debbie.

Click here to listen to Kenny Werner on Piano Jazz

Posted in Werner, Kenny - Tagged audio interviews, piano

Interview: Dan Morgenstern

Jun13
2012
Leave a Comment Written by Peter Blasevick

Today’s interview, a great two-parter from 2007 with Dan Morgenstern, director (now emeritus) of the Institute of Jazz Studies at Rutgers University, comes courtesy of Marc Myers at JazzWax.com. From the introduction:

“For those unfamiliar with Dan, he humbly describes himself as a “jazz advocate.” In truth, he’s one of the nation’s most respected jazz historians and authors as well as an archivist, editor and educator who has been active in jazz since 1958. As director of Rutgers’ Institute of Jazz Studies, he is responsible for the world’s largest collection of jazz-related materials. In addition to being jazz’s man of letters, the 78-year-old Morgenstern is a genuinely nice guy with an unbridled passion for the joy jazz brings.”

In Part 1 Dan discusses the IJS Louis Armstrong collection, what it takes to write liner notes, a couple of dicey moments with jazz musicians over the years, and why critics must remain objective:

In Part 2 Dan  talks about the rise of drugs in jazz—and the factors that allowed rock to replace jazz as America’s most popular music. Dan also recommends seven essential jazz CDs—and names three jazz artists who he says deserve greater recognition.

Click here to read Interview: Dan Morgenstern Part 1

Click here to read Interview: Dan Morgenstern Part 2

Posted in Morgenstern, Dan - Tagged jazz history, Marc Myers, text interviews

Mulgrew Miller in Six Parts 2007

May26
2012
Leave a Comment Written by Peter Blasevick

In this fantastic 6 part 2007 video interview, JazzVideoGuy Bret Primack trains his camera on the great Mulgrew Miller. The modern legend speaks about nearly everything, with a great deal of time spent on jazz education and his work at William Paterson University.

Posted in Miller, Mulgrew - Tagged Bret Primack, I Love You, piano, video interviews
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